MAVERICK Mondays: Number Six
MAVERICK "Full House" (1959 Warner Brothers/ABC-TV) Starring James Garner as Bret Maverick, Jean Willes as Belle Starr, Robert Lowery as Foxy Smith, Gregory Walcott as Cole Younger, Gordon Jones as the Marshal, Joel Gray as William Bonney, George Barrows as Black Bart, Tim Graham as Willie Thimble, Kelly Thordsen as Sam Bass and Nancy Kulp as the waitress. Directed by Robert Gordon. Written by Jerry Davis, Coles Trapnell and Hugh Benson.
After taking Foxy Smith's diamond stick pin (without Foxy's approval) in lieu of payment for $2,000 in poker winnings, Bret Maverick finds himself mistaken for Smith in Denver by the Old West's biggest and baddest: Cole Younger, girlfriend Belle Starr, Sam Bass ($10,000 Reward: Dead or Alive); Jim Dalton ($12,000),; Ben Thompson ($10,000); Black Bart ($15,000); Jesse and Frank James ($25,000 for the pair); and William Bonney ($1,000--he's "just startin'").
Bret's wise old Pappy once said that "if you're given a rare steak intended for someone else, eat as much as you can before the mistake is discovered". Much as he did in Seed of Deception, Bret follows this advice to at "T". Especially when he adds up the totals from all those reward posters.
However, he might have done better to remember one of Pappy's other proverbs. Specifically, the one about heroism: "A coward dies a thousand deaths, a brave man only once. A thousand to one is a good advantage!"
While flirtatious Starr finds "Foxy" to be more youthful and charming than expected, Bret meets with resistance everywhere else. Younger is particularly suspicious of Bret, the temporarily detained real Smith "can't be boxed in by anybody", and "Foxy" is expected to have a cunning plan ready for the gang to pull off a heist. Like any good poker player, Bret bluffs big with plans to rob the Denver Mint, expecting the outlaws to fold. Naturally, they call.
In Full House, Bret's instinct for self-preservation loses out to his greed--not an uncommon occurrence. While the intriguing setup doesn't have many surprises for MAVERICK fans in the storyline, the episode is chock full of treasured character bits. Garner adopts a very funny 'tough guy' voice to get into character as Smith, and gets to show off his impressive skills at handling a gun (while simultaneously talking his way out of actually having to use it). A recurring series theme is mined here: that Bret could make one Hell of a crook if he lacked a conscience. Bart too. But there's a difference between a rascally rogue and a ruthless criminal, and the Maverick brothers stay on the former side--just barely, sometimes.
The All Star Outlaws are no less worthy, with Willes (Day of Reckoning) being her usual seductive self, Walcott (PLAN 9 FROM OUTER SPACE) exuding surliness as he waits for "Foxy" to crack, and Grey providing the petulance, immaturity and menace needed. Lowery gets the biggest laughs of the supporting cast as the dapper mastermind, and Jones provides a most unexpected MAVERICK Marshal.
|Garner and Jones|
Full House was the only MAVERICK installment directed by Robert Gordon, who provided a few neat visual gags such as the superimposed total of the bounties (accompanied by the ringing of a cash register). Writer Jerry Davis also provided the teleplay for Relic of Fort Tejon, another setup in which Bret had to take collateral instead of cash after a poker win (a camel!). While Davis' resolution here isn't quite as memorable as his conclusion to that classic first season entry, both he and Gordon would have been more than welcome to contribute to MAVERICK more often. Full House is just as consistent a winner as the poker hand it is named after.
HOW'D BRET DO AT POKER?
He won an even $2,000 from Foxy Smith, though collecting it proved to be problematic.
WISDOM FROM PAPPY?
None this episode, since Bret was too busy impersonating Foxy for over half of it.
Full House is one of the funniest Bret solo outings, and one of James Garner's finest performances in the entire series. Willes, Walcott and a young Grey are all quite good in their roles: Lowery and Jones are even better. The idea of Bret Maverick as the reluctant leader of the most notorious outlaws in the West doesn't disappoint, and Davis should have been given more script assignments. While a few of the more comedic entries of the Trapnell Era edged too closely towards farce, Full House suspends disbelief successfully throughout, with just the right amount of lucky coincidence. Grounded by excellent casting, direction and performances, it's one of the third season's undisputed highlights. (**** out of four.)
MAVERICK currently airs daily at 1 PM Central/2 PM Eastern without commercial interruption on Encore Westerns, and at 10 AM Central/11 AM Eastern on COZI TV.