"Why the Hell isn't this on DVD yet?" -- Number 92
CAMP CLASSIC EDITION!
NIGHT OF THE COBRA WOMAN (1972 New World) Starring Joy Bang, Marlene Clark, Roger Garrett, Vic Diaz, Rosemarie Gil, Slash Marks, Vic Silayan. Directed and Written by Andrew Meyer.
During World War II, Nurse Clark and a colleague are searching for herbs to use as remedies in a cave in the Philippines. Clark is bitten by a distinctively marked cobra and forms a deep, symbiotic bond with the cobra that keeps her from aging over the next thirty years. Bang arrives at that time to assist zoologist Silayan in venom research, bringing along boyfriend Garrett and his pet eagle(!) Dirk. Sultry Clark makes Garrett her latest mate, causing him to age rapidly and motivating Bang to step up the research to save him.
Meyer, directing his second (and last) feature, also wrote and produced NIGHT OF THE COBRA WOMAN and acted in a small role. Too many hats, no doubt. He especially could have used help with the script. Not only is the dialogue laughable, but Meyer isn't even able to sustain consistency of character or situation from one sentence to the next. Consider the following exchange between Bang and Silayan (delivered very flatly and breathlessly by Bang) while a poor monkey bears the brunt of their research:
|I'm a serious researcher. See the glasses?|
SILAYAN: I want to watch how much further her condition develops. Listen, I got a meeting in the main building. Will you stay and watch her?
BANG: Sure! Is it all right if I run out and get some lunch? I'll be right back.
It would take a terrific actress to make this work, and Bang ain't it. She looks pretty inviting in one early scene in bed---
---presumably about to masturbate while she gazes longingly at a picture of Garrett.
But outside of this kinda-sexy interlude she is completely wooden in the rest of the flick, even when frustrated, "strenously objecting" (like the exchange above) or attempting to project fear or danger.
|He's who all the fuss is over, ladies!|
Also unclear is how lethal Clark's venom is. It is fatal for the young Filipino men she lures into her bed, but strangely didn't kill Diaz (who is introduced to us as a rapist in the opening scene) or Garrett. While Diaz ended up pathetically deformed, he didn't pledge his undying love like Garrett and the other conquests. In fact, he wants revenge. Does the effect depend on her feelings? Theirs? The toxin dose? Is the length of copulation a factor? Just some of the many things Meyer fails to clarify.
In all the confusion, the saving grace is Marlene Clark, who singlehandedly provides the vavavoom factor by getting naked frequently and also spending a considerable amount of time in her underwear.
Usually a very reliable actress, Clark is surprisingly as stiff as her co-stars much of the time. Yes, she's supposed to be reserved after her transformation, but her delivery is just as leaden in the scene before she experiences love at first bite. Give her props, though. She's burdened with the bulk of the exposition, shows commitment to the absurd material, and is damned stunning even when she's shedding her skin (which happens after each tryst, apparently). Clark also generates a few unintentional giggles of her own during a "fight to the death" between her cobra and Garrett's falcon. Fortunately, she received a much better opportunity in the horror genre with the following year's GANJA AND HESS, one she seized impressively.
So...why isn't this on DVD?
Delivers less than it promises and is sloppily made even for an exploitation flick. For all the jollies everyone gets at Joy Bang's screen name, her work in NIGHT OF THE COBRA WOMAN makes you understand that it wasn't her moniker that kept her from becoming a leading lady.
|Is it gratuitous to show a second pic from this scene? I didn't think so either.|
Bad movie fans will still find some laughs, just not as many as they will find in other, better (worse?) camp classics. It is certainly a must for Marlene Clark fans and she is always a welcome presence, clothed or not. NIGHT OF THE COBRA WOMAN is now streaming at Netflix Instant and has recently been airing on Epix Drive-In channel as well.
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