THE HEAT'S ON (1943 Columbia) Starring Mae West, Victor Moore, William Gaxton, Lloyd Bridges, Hazel Scott, Lester Allen, Joan Thorson, Xavier Cugat. Directed by Gregory Ratoff.
Broadway producer Gaxton schemes to get free publicity for his show, and star West, by having Moore's "Decency" Foundation get his show temporarily closed for content. Unfortunately the plan backfires as West takes advantage of the opportunity to move to another theatre and Gaxton's show ends up permanently closed. It's back to the drawing board for the producer as he now tries to concoct a way to lure West back into the fold.
It's fitting that Mae West--a pre-Production Code icon if there ever was one--is the star of a satire on the effect of censorship on the entertainment industy in general. Unfortunately, THE HEAT'S ON turns out to be toothless. By having Moore's organization focused on cleaning up Broadway instead of Hollywood, an opportunity is missed for West to get digs in at the Code and the Hays Office. To be fair, it probably would have been impossible to get THE HEAT'S ON past the film censors in 1943 if it had that kind of bite.
In addition to her typical post-Code problems, West wasn't given her usual creative input on THE HEAT'S ON, which certainly would have helped. Mae's dialogue lacks the zing her fans will be accustomed to (its akin with watching Groucho deliver his lines during ROOM SERVICE) and she's onscreen for less than one-third of the film's 79 minutes. All in all, not enough Mae, and as a result, probably the weakest of her starring vehicles--until the Seventies, that is.
|Hazel Scott at the piano|
|Victor Moore (right); dude was a pre-Viagra playa, ya'll!|
It's too easy to say The Heat's Off, and also unfair--the picture has a few bright spots. Just not nearly enough of them. Mae West completists will certainly want to check it out, but to everyone else, I'd recommend sticking with MY LITTLE CHICKADEE, SHE DONE HIM WRONG and I'M NO ANGEL.
Yes, on demand through Amazon.
The film really does belong to Hazel Scott -- poor Mae looks bored through it all, as if knowing it was a waste for her. Moore himself seems to be a world unto himself in the film, just doing his own shtick. They really done Mae wrong in this one.
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