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Monday, April 11, 2022

MAVERICK Mondays: "Escape to Tampico" (1958)






MAVERICK Mondays: Number 32 








MAVERICK: "Escape to Tampico" (Warner Brothers/ABC-TV 1958) Starring James Garner as Bret Maverick, Gerald Mohr as Steve Corbett, Barbara Lang as Amy Lawrence, John Hubbard as Paul Brooks, Paul Picerni as Rene Gireaux, Tony Romano as Chicuelo, Louis Mercier as Raul Gireaux, Ralph Faulkner as Ziegler, William D. Gordon as Sam Garth, Nacho Galindo as Carlos.  Written and Directed by Douglas Heyes.

A lengthy case of runbad on a riverboat trip to New Orleans leaves Bret Maverick flat busted and open to an intriguing business proposition from Rene Gireaux, who offers a $1,000 advance, to be quintupled later.  Gireaux needs an American citizen, of "exquisite tastes, but bankrupt" to bring Steve Corbett, murderer of his son, to justice.  No, not at gunpoint: Bret's task is to merely persuade Corbett back to U.S. soil from Tampico, where he runs a casino.



The opportunity to replace his full bankroll and then some sends broke Bret across the Gulf of Mexico to La Cantina Americana in the titular city.  After finding employment in the genial Corbett's establishment, Bret also finds himself believing the expatriate's claim of innocence and nullifies the agreement with Gireaux.  Maverick's expertise assists Corbett in weeding out cardsharps and disloyal employees who are cheating the proprietor, and grateful Corbett rewards the gambler with a fair share of the savings.  When sultry singer Amy Lawrence entices Corbett to follow her to Corpus Christi, Bret is left in charge--but also smells a trap, leaving Maverick with a difficult decision.  Should he stay or should he go?



Gifted writer-director Douglas Heyes wrote a MAVERICK styled noir for each lead during the second season: Prey of the Cat for Jack Kelly and Escape to Tampico for Garner.  The former is far grimmer but surprisingly the more successful of the two.  Part of the problem is the setup: while Bart is the femme fatale's victim in Cat, giving us a much higher emotional investment in the proceedings, Bret is essentially a spectator in his installment which really highlights a cynical Gerald Mohr in a role that plays off the actor's resemblance to Humphrey Bogart.



Visually, Escape to Tampico looks like Heyes' version of a MAVERICK CASABLANCA, even using the same sets as that 1942 classic.  Steve Corbett operates a nightclub/casino, wears a white suit, refuses to ever drink with the customers and can't return to his homeland.   Sounds familiar--but that last problem really points towards this episode's larger inspiration: ALGIERS.  In the 1938 American version, Charles Boyer's Pepe Le Moko (title of the original French film) is a wanted man elsewhere turned pillar of the local community.  His Achilles heels? Longing for both the France he can't return to and the visiting femme fatale who reminds him of it.  (Mohr fits only the second qualification for most of Escape to Tampico--more on that below.)



Heyes doesn't entirely do away with humor in Escape to Tampico: Bret pulls a humorous con to get the casino job originally refused him and has a ready quip for each crooked patron he dismisses from La Cantina Americain.  That's about it, though, and as Bret's immediate problem of bankroll health subsides, Steve's unrequited love moves to the fore.  We eventually learn that Steve killed Victor, but he hints it was justified, and it seems out of character for Bret to make himself the last line of defense against a man who saved his life earlier.  Bret he also proves his erstwhile self description as the "second slowest gun in the west" inaccurate as he outdraws the expatriate.  With less than convincing incentive to play the hero and an often peripheral role here, this is arguably the least satisfying Garner solo episode of the usually stellar 1958-59 batch. 



Steve would likely sniff out the trap if he questioned the patron who triggered Amy's sudden departure, since it appears the customer really has no connection to the American beauty.  It appears that Steve's cool is being melted by desperation and loneliness (again, paralleling Boyer rather than Bogart) but on the whole all motivations (save Gireaux') are nowhere near as delineated as in Prey of the Cat.  Does Steve have a death wish?  He might--after all, was it inexperience that had his dealers pulling the wool over his eyes or distraction?  Corbett gives the impression of being grateful for Bret's help, which would seem to indicate his life still has meaning to him.  Corbett's closing line also rings a little false: stating he didn't want to die in Mexico hints of a longing for the U.S.A.  It's another clear homage, as Bogart's Rick fought for the losing side of the Spanish Civil War.  But Corbett smuggled services for the losing side of the U.S. Civil War for a Confederacy that no longer exists, so that parallel doesn't translate so smoothly.  



Mohr's the focus here but actually had a better showcase in You Can't Beat the Percentage a season later, an episode more faithful to the MAVERICK universe than this one.  Escape to Tampico isn't terrible, just a couple of steps down from Heyes' usual contributions--it could have been an episode of just about any straight-faced Western of the period.  For MAVERICK or for Douglas Heyes that's a letdown.  Hey, nobody's perfect. 



HOW'D BRET DO AT POKER?

Disastrously.  He lost $2,311 at the tables on his Riverboat trip from Memphis to New Orleans (plus the $47 he spent on the trip), then the $1,000 dollar bill safety pinned in his coat at the table in The Big Easy.

BOTTOM LINE:

It's a close race between Hargrove and Heyes as to who had the better MAVERICK track record.  Heyes had success with several atypical installments, but the reduced emphasis on Bret and uncharacteristic lack of clarity makes Escape to Tampico the weakest of his second season contributions.  Not terrible but in the end unsatisfying.  In a landmark season, average looks worse than it is.  Still worth a look for the typically strong contribution from Gerald Mohr and even more references to the cinema classics above than I listed--it'll take more than one viewing to catch them all.  (**1/2 out of four)

 
MAVERICK currently airs at 5 A.M. Central on Heroes and Icons (Dish Channel 293) and 9 A.M. Saturdays on MeTV (Dish Channel 55).

Thursday, December 10, 2015

F TROOP Fridays: TV GUIDE, December 11-17, 1965

With apologies to Mitchell Hadley of the excellent (and highly recommended by yours truly) blog It's About TV, I'm going to take an excursion into what is normally his territory with a look back at a classic issue of TV Guide.

It was 50 years ago this Friday that television's all time greatest series, F TROOP, made the cover of the venerable U.S. television weekly for the first time.



F Troop would soon be overshadowed by the smash mid-season replacement Batman (which debuted January 12, 1966) but at the time of this issue, it was ABC's biggest new hit of the 1965-66 season. Airing in what had been a death slot for ABC (Tuesdays at 9 PM ET) since the turn of the decade, F Troop managed to stand its ground and then some.  In fact, the episodes Scourge of the West, Don't Look Now, One of our Cannon Missing and Old Ironpants cracked the Nielsen top 10 despite airing opposite CBS' seemingly invincible The Red Skelton Show.

It's series star Forrest Tucker who is the subject of this cover story, profiled by Leslie Raddatz (whose tenure at the weekly lasted from 1962 to 1976).  Actors Should Act Like Actors is the title of Raddatz' article and also our patron saint's credo.  Tuck learned it from his early show business mentor, Jimmy "Carnation" Lake, who unknowingly hired a fifteen year old Forrest to emcee at the Old Gayety burlesque theatre in Washington, D.C.  Whether this happened circa 1930 or circa 1934 depends on the source: Raddatz gives Tucker's birthdate as February 12, 1915 (though 1919 is the most widely reported year).


The interview takes place at Tuck's longtime favorite hangout, the Lakeside Country Club, so it isn't surprising that the star's prowess at golf gets almost as much mention as his chosen vocation.  Tuck's apartment is three blocks from Warner Brothers' backlot and from Lakeside, and he often drives from place to place in his customized golf cart.  While Tucker probably played more rounds at Lakeside than anywhere else, we learn that it wasn't the site of his greatest round ever (at least, as of late 1965)--a stellar 9-under-par 63 at a pro-Am in Stockton.


Professionally, Tuck's long run as Professor Harold Hill onstage in The Music Man (2,008 performances from 1958-1963) gets prominent mention in Raddatz' article.  "The part is so tough you have to spend all of your time between shows lying down.  For four years I saw nothing but the theatre and a ceiling."  Tucker is perhaps overly modest about a career on the big screen that at the time included 91 feature film credits:   "I never really made it in pictures--I was the other guy, the one who didn't get the girl." (Not always, Tuck!)  Marilyn Fisk is his third wife ("I like dancers because of their discipline") and ends up making three appearances on F Troop.

Marilyn Fisk Tucker on F Troop
The other cover story involves what, in 1965, was still being referred to as the UHF GambleThe All-Chanel Receiver Act of 1962 had gone into effect in May 1964, requiring all television manufacturers to include UHF tuners so that channels 14 through 83 could be received by the public.  David Lachenbruch's article looks at this "$200,000,000 Experiment" (the rough estimate of the added cost of said UHF tuners) after the first eighteen months.  More than 35 percent of the nations estimated 53.8 million households "already have at least one set" that can access the additional 70 channels.

Independent producer David L. Wolper (Get Christie Love!) was prescient: "Another network will be formed.  It's inevitable now that the stations are there."  He's far from the only prognosticator proven correct about where television would be headed: more choices, more programming variety. KWEX-TV in San Antonio "saw the light almost from the beginning", broadcasting 14 1/2 hours a day "for the last ten years".  Thus began what we now know as Univision.  WKBD in Michigan carries University of Michigan sports along with the Pistons and Red Wings in prime time.  ESPN, of course, was still fourteen years away.  Lachenbruch concludes that the all-channel experiment "cannot yet be called a success" but notes that UHF broadcasters insist that it must succeed, for the sake of television's future.  For the record, my issue, covering the Philadelphia area, carries listings for a mere by modern standards nine stations: 3 UHF independents (17,29,48); one UHF CBS affiliate (15), educational Channel 12, and four more network affiliates, with last-place ABC having only one (6) to the two for both NBC (3,8) and CBS (10,15).


Two stars whose best days were ahead of them also have articles about their respective shows that didn't survive the 1965-66 season: Peter Falk's Trials of O'Brien and Sally Field's Gidget.  ABC cancelled Gidget but had Field back on the air more successfully in 1967 as the star of The Flying Nun.  Falk would begin his epic run as Columbo in the 1968 TV-movie PRESCRIPTION: MURDER.  One can see elements that Falk would bring to that iconic portrayal in lawyer Daniel J. O'Brien's office, though none of these props could compare with that raincoat.

The office of Daniel J. O'Brien, attorney at law

Capping off an issue with most impressive star power, Charles E. Alverson interviews the legendary Gypsy Rose Lee, former burlesque queen and now host of her own syndicated TV talk show based in San Francisco (where it airs on WCO-TV).  Alverson reports that the transition from "take it off!" to "keep them talking!" hasn't been without its problems.  Used to being the interviewee, she started out "rattling away for the whole show".  The three page profile isn't the most flattering: "there are few signs that Miss Lee has given up running her guests off the conversational road".  Alverson almost grudgingly concludes that despite the problems, Miss Lee "can so far rest easy", since she has fans ranging from John Wayne to the secretary of a chapter of the Hell's Angels, "a band of California bike riders often in the headlines".

Gypsy Rose Lee on the set of her talk show, 1965

KCO-TV was an ABC affiliate, and Gypsy Rose Lee would make appearances on the network's Batman and The Pruitts of Southampton the following year.  She died in 1970.


Rounding out the feature articles, Pep Pills for Dr. Kildare, reviews NBC's attempt to reinvigorate its aging hit.  "Romance and a format change" didn't work; the doctor was out after this fifth season.

Inside: For The Record reports that ABC expects to debut two hour-long British TV series in the summer. The Avengers, noting that "Honor Blackman stars on British TV, but she won't be in the version shown here".  No mention whatsoever of Patrick MacNee or then-current costar Diana Rigg!  The second, Court-Martial, is far less remembered despite the bigger American name in Peter Graves, already familiar then from Fury and about to score his signature TV role in Mission: Impossible.


The British imports were two for two at hitting prime time, a much better batting average than the four reported projects from the "Comeback Quartet" for 1966-67: Phil Silvers in Help (Bilko as a chauffeur), Pat Boone in The Perils of Pauline (with Pamela Austin in the titular role) and 74 year old Lowell Thomas' planned documentary series all failed to make the schedule.  Only the return of The Garry Moore Show did, and thanks to competition from Bonanza, it barely lasted into 1967.  One last note, Roger Miller and Jonathan Winters are both "under consideration" for a summer series by NBC.  Miller ended up on the network's fall schedule in 1966, and Winters made it onto CBS' the following year for a two year run.


Interesting letters as always, with one blasting the unsuccessful format change for Amos Burke: Secret Agent (formerly Burke's Law, and off the air three weeks later) and two panning the salute to Stan Laurel that had aired on CBS November 23rd.  Perhaps most interesting of all is the opinion of V. Smith from Hamilton, Ontario: "Since playing Las Vegas, Johnny Carson's head has certainly swelled.  He is not nearly as interested in his guests as he is in setting his facial expressions for the camera.  Merv Griffin has him beaten by miles."  While Griffin didn't quite match Carson's run, The Merv Griffin Show had 21 more years to run, not far behind Carson's 27.

Despite Mr. Smith's non-endorsement, Carson's guest appearance on Get Smart was notable enough to give the December 11 episode a TV Guide Close-Up:


Mr. Hadley compares the lineups for Hollywood Palace (Saturday) and The Ed Sullivan Show (Sunday) each week that he reviews an issue from the Sixties, so just for fun, I'll take a shot at it too:

Palace: Host Caterina Valente, Bill Cosby, Bill Dana as Jose Jimenez, Herb Alpert and the Tijuana Brass, Brazilian guitarist Luis Bonfa, magician Channing Pollock, the Black Theatre of Prague (pantomimists) and the Freedonias (German tumblers).

Alan King
Sullivan: Alan King, Al Hirt, Barbara McNair, Wayne Newton, the Swingle Singers (who adapt jazz styles to classical music), clown/juggling troupe The Gomberts and the Bratislova Slovokian Folkloric Company.

Alpert and the Brass play two songs from the legendary Whipped Cream and Other Delights LP, Valente gets four songs, Cosby does a presumably shortened version of "$75 Car" from his Why is There Air? LP, and Dana's Jose is a flamenco dancer.  It's enough to outweigh Hirt and McNair for me, so I'm going with Palace.  Besides, Caterina Valente is much easier on the eyes than Alan King.

Caterina Valente
On Sunday, the annual rerun of Gian Carlo Menotti's opera Amahl and the Night Visitors (first telecast live in 1951 as the very first Hallmark Hall of Fame) is NBC's counter-programming to the football games on CBS and ABC.  This is a taped repeat of the 1963 production, and the last before the TV rights reverted back to Menotti in May 1966.  Menotti, who never approved of the 1963 version, refused to allow it to be rebroadcast again.



Not to sound lowbrow or anything, but I probably would have chosen the football game between the New York Jets (led by rookie QB Joe Namath) and the Oakland Raiders instead.  (The Raiders prevailed 24-14 behind QB Tom Flores despite Namath's 280 yard, 2 touchdown day.)


The seasonal mood is being built on Monday night with the annual Andy Williams Christmas show, with Andy's special guests The Osmonds.  The aforementioned David L. Wolper also gets a TV Guide Close-Up for his ABC documentary airing at 10:00, In Search of Man.  Van Heflin narrates.

On Tuesday our cover show F Troop has one of its funniest episodes of the season, The 86 Proof Spring.  Competition: Red Skelton has Tallulah Bankhead as his guest and Wilt Chamberlain's 76ers are playing Cincinnati on UHF Channel 17.  (Oscar Robertson's Royals upset Wilt's 76ers 112-109: sounds like an exciting game.)


The Bob Hope Comedy Special gets Wednesday night's Closeup, bringing the star power with Jack Benny, Bing Crosby, Janet Leigh and singer Nancy Wilson joining Bob.  With Benny's 15 year weekly series having ended 3 months earlier, Hope brought out the big guns, and delivered in the ratings.  He posted a 22.9 rating, 36.4 share, which was good enough to win the time slot against powerhouse competition: GREEN ACRES (21.4/33.8) and DICK VAN DYKE (19.7/31.6) on CBS, and ABC's freshman success BIG VALLEY (18.9, 30 share). 99.1 total share on the 3 networks, not many viewers left over for local channels!  

There's no review from critic Cleveland Amory this issue, though Thursday night's listing for Amory's creation (with Abe Burrows) O. K. Crackerby includes a blurb that the critic will discuss the show's failure in next week's issue.  Crackerby, which starred Burl Ives, has only three episodes left after tonight's installment guest starring Aliza Gur, Miss Israel of 1960 and a finalist in that year's Miss Universe pageant.

Aliza Gur

Aliza Gur was a popular guest star in 1965-66, popping up on six different series, including the aforementioned Amos Burke just four weeks earlier in an episode entitled Deadlier Than the Male.  

Capping off the week, low-rated Camp Runamuck and Hank are pre-empted by NBC Friday night for Mr. Magoo's Christmas Carol.   As always, Jim Backus is Magoo and Jack Cassidy voices Bob Cratchit.  It's a repeat, having first aired in 1962.  Magoo goes head to head with ABC's long-running The Flintstones, and this week Fred and Barney are utilizing robot doubles to go bowling and take their wives out simultaneously.  If you dislike cartoons, The Wild, Wild West still airs as usual on CBS.


Before we leave Friday and the listings: The Trials of O'Brien has two of the longest running TV sleuths of all time facing off, as Peter Falk is joined by guest star Angela Lansbury.

TV Teletype: Hollywood has the following tidbits:  Jack Webb has been recently signed by Universal to produce a two-hour Dragnet, which "may again become a series".  (It did, a year later as a mid-season replacement in 1966-67 and became a long-running hit again.)  Webb won't be joined in the new version by Ben Alexander, who's busy with 20th Century Fox's pilot, Men Against Evil with Howard Duff and Jeanne Crain.  That became the long-running (until 1969) hit, Felony Squad (sans Crain) the following fall.  Finally, Andy Griffith has decided to stay on CBS for a seventh season in 1966-67, which will "probably be the last".  (It wasn't--he was back in 1967-68.)

No review from Cleveland Amory this week.  Vacation, or mourning that cancellation of O.K. Crackerby?  

Finally, you know it's still the Sixties when you're encouraged to give the gift of Pall Mall this Christmas:



If that doesn't get you into the Holiday spirit, nothing will!


F Troop had two more TV Guide covers in its future, so hopefully this is the first of a trilogy here at the Section.  And if you like vintage TV Guide reviews, It's About TV has a new one each Saturday, and you'll find one periodically at Retrospace also.

Friday, March 27, 2015

F TROOP Fridays: "Our Brave in F Troop" (1967)







F TROOP Fridays: Number Nine








F TROOP: "Our Brave in F Troop" (Season Two, Episode 64; Original Air Date: March 30, 1967) Starring Forrest Tucker, Larry Storch, Ken Berry, Melody Patterson, Frank de Kova, Don Diamond, James Hampton, Bob Steele, Joe Brooks.  Guest Stars Cliff Arquette and Hal England.  Written by Austin and Irma Kalish.  Directed by Seymour Robbie.


This edition of F Troop Fridays doubles as The Horn Section's contribution to the Favourite TV Show Episode Blogathon hosted by Terence Towles Canote.  Terence's blog A Shroud of Thoughts is "dedicated to pop culture in all its forms".  I highly recommend you check it out; you're likely to become a regular visitor like I am.

For The Horn Section's contribution, we look at a classic episode that told the story of an ambitious and unconventional young officer who stood out in the 1860's with his distinctively long hair.  His rapid rise through the ranks astonished his fellow United States Cavalrymen.



No, NOT this guy:

His only appearance was in Old Ironpants.  I'm talking about THIS guy:



Without further ado, Our Brave in F Troop:

We fade in on the Hekawi camp, with Crazy Cat (Diamond) assisting Chief Wild Eagle (deKova) with the extraction of what appears to be a troublesome premolar.


Craze feels that this "modern" method has made ritual chants obsolete, but the old school Chief insists.  Either he's a proud guardian of tradition, or just stalling.  (My money's on the latter.)  Miraculously, the tooth stops hurting and Wild Eagle abandons the extraction (noting that "losing nerve" is better than "losing whole jaw").  The arrival of business partners O'Rourke (Tucker) and Agarn (Storch) buys the Chief a bit of time.


So much for the "miracle": the visitors are greeted with Wild Eagle's howl of pain.  The Chief's odontalgia has been active for several nights, keeping the entire tribe awake and slowing production for O'Rourke Enterprises.  In addition, a pint of saloon whiskey has been lost to Wild Eagle's effort to dull the aching.  The Sarge lets it slip that the army dentist will be arriving to treat the soldiers with an even more modernized method than Crazy Cat's, working with laughing gas--"a new painless method for pulling teeth".


A trip to the dentist that's painless--and free?  It's enough to have Wild Eagle interested in a temporary tour of duty.  Interested, Hell--he insists.

"O'Rourke not come through for Wild Eagle, Hekawis not come through for O'Rourke Enterprises."  Agarn points out the obstacles: needing to fool the captain and a dentist, a uniform, etc.  But we all know by now that profits take priority. True, a court martial is a considerable risk, but when has that ever stopped Sergeant Morgan Sylvester O'Rourke?  "Straighten up, Soldier--you're in the army now!"


Back at the Fort, the non-coms have located a suitable uniform, and have Private Wild Eagle ready for his multi-hour hitch.  Matter of fact, he looks better in the lineup than about half of F Troop right away.  Standing to Wild Eagle's left in formation, Dobbs (Hampton) gives the Hekawi in blue a brief glance, but shakes it off.


But can Wild Eagle fool the Captain (Berry)?  He's a shrewd one, Agarn reminds us. 


Parmenter has two news items for his Troop at morning assembly.  First, General Sam Courage, the Fort's namesake, is arriving at noon tomorrow as part of his retirement tour.  Second, and more important to F Troop's newest member, the army dentist is there now for his semi-annual visit.  (Shouldn't that be bi-annual, Captain?)  "You know his motto: see your soldiers twice a year!"  The Chief displays just as phony a laugh as anyone at the Captain's little joke.  About a 2.5 on the McMahon Scale.


Maybe the laugh was still a little too hearty, since it did pique the shrewd one's curiosity.  After dismissal, Agarn quickly escorts the new trooper away, while Parmenter asks O'Rourke who that "somewhat familiar" soldier is.  Sarge swats the question away with his customary ease ("Corporal Agarn should look familiar to you, Sir!"). The Captain is too distracted by General Courage's visit at the moment to press further.  He called the Sarge over to place him in charge of Fort Courage for the time being.  "Dobbs and I are going to ride out to greet the General."

That's a real break for O'Rourke's scheme of the week, since now he only needs the temporary command to extend past the brevity of Private Wild Eagle's "enlistment".  The newest F Troop recruit still isn't at ease, though, when he sees the patient before him exiting the dentist's office with Duffy (Steele).


But, it's too late to turn back now.  The Sarge stands guard at the door while Agarn accompanies Wild Eagle inside. 


In the dentist's office, we find a familiar face.  Lt. Goodbody is played by Hal England, who also played the Troop's doctor Lt. Anderson in El Diablo.  Goodbody shares Anderson's soothing demeanor and (fortunately for Agarn) cluelessness, not batting an eye at Wild Eagle's refusal to remove his hat or his decidedly unmilitary haircut after he does.  No, the Lieutenant is too busy reassuring the uneasy Chief that he "always" works fast, having finished his four year dental course in a mere 7 months.


Okay, so that didn't work.  Maybe the laughing gas will, and Dr. Goodbody explains that it will take effect in a few minutes.  At which time he'll be back for the extraction.  Incidentally, kudos to the Kalishes for the historical accuracy.  Nitrous oxide (aka laughing gas) first came into general use at the Colton Dental Association clinics in the east in 1863--four years before it is depicted as reaching midwestern Fort Courage for the first time.

But once again, the Chief's dental work is interrupted, this time by the Sarge.  O'Rourke appears at the window with some distressing news: "General Courage is in town now!"


As ranking officer, O'Rourke has to go over the stage depot to meet him.  Of course, panicky Agarn doesn't want to be left alone with the new recruit (what if the Captain comes back?), so they agree to take Wild Eagle with them.  Somewhat bold, true, but likely the least bad alternative.  Besides, the Chief, who's had a few anesthetic whiffs already, confirms that he's feeling no pain now.

Meanwhile, at the stage depot, Wrangler Jane (Patterson) does her best to keep General Courage (Arquette) company while they wait for the troopers. 


Fort Courage's namesake proves that sometimes appearances aren't deceiving.  We get the "in my day" idiom immediately:  "They would have had a regiment to greet a visiting General!!"


After several years of playing homespun codger Charley Weaver, Cliff Arquette is a perfect choice for equally doddering General Sam Courage, who isn't having any excuses for Parmenter's failure to be present.  "A good officer always expects the unexpected!"  Of course, no miscommunication can be the fault of a General.  "I didn't miss him, he missed ME!"  (Our Brave in F Troop would turn out to be Arquette's last non-Weaver acting role; he would continue as Weaver on HOLLYWOOD SQUARES until his death in 1974.)

Fortunately Courage doesn't have to sputter and fume long, as O'Rourke, Agarn and Wild Eagle arrive to salute him.  Well, the first two, anyway.  Wild Eagle greets him with: "How!"


Agarn stammers out a few "humminas" that would make Ralph Kramden proud.  "That's his name, Sir!  Private Howe!"  Who, O'Rourke further explains, volunteered to carry the General's baggage.  Courage has enough familiarity with F Troop to know that any volunteer "must be new around here".  Very perceptive!

En route to the fort, the men encounter a large puddle, which enables Private Howe to impulsively show further initiative by channeling his inner Sir Walter Raleigh--with Agarn's jacket.


General Courage gives more than just mere credit when Howe "uses his head".  He inflates the NCO ranks by one, promoting him to Corporal.  Not something that makes F Troop's existing Corporal happy, since Wild Eagle just accomplished in less than an hour what it took Agarn six years to achieve.


Look at the bright side, Randolph.  Now Wild Eagle has an official reason to be in the same quarters with O'Rourke and Agarn, so it'll be easier to keep an eye on him.  If they can keep him from sleeping on the ground outside, which is the Chief's preference.  It's a good thing they didn't allow that, since General Courage continues his sentimental journey by visiting them in the non-com quarters.  Clearly, General Courage is enjoying his trip.


Initially outraged at the lack of a cot for Corporal Howe, the General is pleased when he learns that sleeping on the floor is the new NCO's preference.  So pleased, in fact, that he decides another promotion is in order.  The sleeping soldier will now be Sergeant Howe when he wakes up.


While Wild Eagle works his way up the rankings in the army, his assistant is also pleased to learn the following morning that he is still acting Chief.  We've all wondered what the Hekawi camp would look like under the leadership of Chief Crazy Cat, and now we know:


O'Rourke cautions that Wild Eagle will be back soon, and once the Sarge is back at the fort, Corporal Agarn has good news and bad news.  The former being that they're already rid of Sergeant Howe.  The bad news?  It's because he's now Lieutenant Howe.


Too bad we weren't shown the scene that Corporal Agarn describes.  They fired the cannon to honor General Courage.  As always, the tower fell--and would have fallen on the fort's namesake, only Wild Eagle pushed him out of the way, leading to his commission in the field.

That order!!!
O'Rourke has had enough, but Wild Eagle isn't going to the dispensary.  "A good officer learn to live with pain!"  He orders his new underlings to salute him, lest they lose their stripes!  Well, looks like Crazy Cat can enjoy his own promotion a little longer.

Still acting Chief!
But hey, where did Captain Whatshisname go?  Fort Courage's C.O. and bugler are still lost, and it has to be 24 hours since they left now.


Probably time for a search party, but with the turmoil back at the post, who's going to order it?  Wilton feels a renewed sense of urgency to find his way back, since it suddenly strikes him that that "strange looking trooper" (Dobbs: "Which one is that Sir?  We have so many.") was in fact Wild Eagle!  Eager to get back and check out his hunch, the Captain tries turning navigation over to the horses, who "have the instincts of homing pigeons".  That they do.  Unfortunately, they are just a wee bit faster than the men are on foot.


Too bad, since the commanding officer be missing a powwow that has been called by General Courage with F Troop's other leaders concerning the Hekawi.  "Good subject," declares the newly commissioned Lieutenant Howe.  General Courage has the same worry that every clueless visiting officer has: the possibility that the Hekawi will go on the warpath.


Despite Lieutenant Howe's assurance that Wild Eagle is a "big peace lover" (and he should know), he does have a suggestion for keeping treaties intact:  "Money!"  The General, puzzled initially, quickly finds value in this suggestion: setting the Hekawi up in business for themselves!


Howe further suggests calling it Hekawi Enterprises, and the new soldier's winning streak continues.  "I'm promoting Lieutenant Howe to Major, and putting HIM in charge of the Hekawi Enterprises!"

50/50 eh?  Not anymore!!

Naturally, there won't be room at Fort Courage for two commanders, so just one episode after he passed the test for Major and turned it down to stay (The Majority of Wilton), Parmenter finds himself being booted out anyway.  In fact, his office is already being cleaned out for him in absentia as a crying Wrangler Jane exits.  (Nagging Question # 1: Isn't anyone worried about Parmenter and Dobbs making it back at all at this point?) Stunningly, Corporal Agarn dries up the tear ducts for once after the Sarge's sobering assessment of the effect of this promotion on their finances.

It's time for the Corporal's frequent question, always asked when it looks like O'Rourke Enterprises might go the way of Lehman Brothers:  "What are we gonna do, Sarge?"  The crafty Sergeant always thinks of something, and finds his ace in the hole right there on Parmenter's desk--the Officer's Manual.


In the meantime, Fort Courage's new commander is back at the dispensary, finally about to get that tooth pulled by Lt. Goodbody.  The dentist exits to let the laughing gas take effect, but he'll find his patient missing yet again when he returns.  Manual in hand, O'Rourke and Agarn have arrived to take Major Howe away again.  "You're leaving the army!"


The gloves are off, and so is the anesthesia mask filling the air with nitrous oxide, of course.  Wild Eagle disputes that he'll be leaving the army, noting the fun of "working his way up the ranks" all over again (how long did it take him to become Chief?) and the added security of an Army pension.


But the manual doesn't lie, though it can be hard to understand when the men reading it have been getting high off the gasses in the air for about thirty seconds.  Wild Eagle laughs it off himself; he's ready to take the "qualification test" by proving his physical fitness right away.


Once General Courage is encouraged to continue his nostalgia tour by taking the entire troop out for a hike, it's time for Major Howe to earn the respect of the men under his command.  (Nagging Question # 2: How's he gonna do that when none of them, save O'Rourke and Agarn, are there to witness this?)  The first test involves a big pile of chopped firewood being carried up to the lookout tower log by log--then being carried back down the same way.


But he surprises the soldiers, just like Agarn previously surprised the Chief during his Hekawi initiation.  Wild Eagle makes it past this first hurdle, and it's on to the well.  How deep is it?  Just to the bottom.


If this series of tests is truly a requirement for commission, we now know why no one in F Troop ever receives one.   Wild Eagle, on the other hand, shows that he is in damned good shape.  Maybe sleeping on the floor really does toughen you up!


Finally, though, the combination of fatigue and a cannonball brings the first bump in the road, and a now sweaty Wild Eagle is breathing heavily and ready to go back to being Chief of his tribe.  There's four more tests, and he declares himself too pooped to pass.


There's the little matter of getting rid of the evidence at a big rock (not the one that looks like a bear) outside the Fort after Wild Eagle's resignation.  While this is in process (along with plans to announce Major Howe as A.W.O.L.), General Sam Courage continues to prove himself very worthy of his namesake.  He's hopelessly lost and none of the men are following his directions.  Matter of fact, they're nowhere to be found.  He's as lost as the Captain when his compass takes him to the scene of the crime. 


"Traitors!  Murderers!!"  This takes a little explaining, especially after Wild Eagle emerges and declares Major Howe "all gone".  Once the Chief and Major Howe are proven to be one and the same, the General has a new charge: foisting an imposter Major on the United States Cavalry.


Sticky situation, but O'Rourke reveals a bargaining chip.  Since Wild Eagle was snuck in as a Private, and the General actually promoted him up through the ranks, he'd be exposing himself.  No retirement with honors.  No book deal for his memoirs.  "They might even change the name of Fort Courage!"


(Oh, I don't know about that last one, Agarn.  After all, General "Indian Bill" Baxter did far worse, and that Fort still bore his name a century later.)

Regardless, the point is proven, with the short-lived Howe Era will remain their secret.  The General proving his worth by trumping O'Rourke's "AWOL" idea.  "I'll transfer Major Howe to a desk in Washington!"  Thus ensuring he'll never be heard from again.


In the coda, well, we can finally stop worrying about Captain Parmenter.  He's made it home--safe, if not exactly sound.


When he suggests that Wild Eagle is in the troop, plotting to take over the fort, O'Rourke, Agarn and Courage all laugh it off. with the General especially peeved at the suggestion that any such chicanery could go on in his presence.  "I could spot an Indian the minute I seen one!"


"It's all the teeth", explains the General, at the precise moment that a full set of teeth flies into the frame tied to an arrow.  Hopefully it isn't Wild Eagle's.  (For what it's worth, he isn't toothless in the subsequent episode, Is This Fort Really Necessary?)  If it is the result of Crazy Cat's modern tooth pulling, Wild Eagle's comment in the opening scene proved sadly prophetic.

LOOK OUT FOR THAT PENULTIMATE!:

The next to last episodes of both seasons (The Day the Indians Won, Our Brave in F Troop) found Hekawi Chief Wild Eagle taking over Fort Courage--the only two times this ever happened.


WISE OLD HEKAWI SAYING?

Since Chief Wild Eagle spent most of this episode as a soldier, we don't get one.  His assistant does have a memorable line while filling in.  "When Wild Eagle away, Crazy Cat play!"

NUMBER OF TIMES O'ROURKE COULD HAVE BEEN CHARGED WITH TREASON:

Once, and General Courage comes right out and calls O'Rourke and Agarn traitors.  Murderers too!


PC, OR NOT PC?

Chief Wild Eagle proves to be the best conditioned and most industrious soldier in the history of F Troop during his brief stay.  His rapid move up the ranks would make Custer green with envy, and he takes charge of both Fort Courage and O'Rourke Enterprises in what can literally be described as a bloodless coup.  That said, the parting words of the "Major" might raise a few eyebrows: "Better red man than dead man!"

THE BOTTOM LINE:

I chose to highlight this one for the Favourite TV Episode Blogathon over several other contenders.  Our Brave in F Troop stands out, as a perfect blend of the first season's foremost comedy drivers with the heightened surrealism of the second season.

After a number of experimental episodes, some successful (The Day They Shot Agarn), others lacking (That's Show Biz), Mr. and Mrs. Kalish took the show back to basics and upped the ante a bit.  O'Rourke is again concealing a business scheme from his commander.  The Sergeant's entire enterprise is threatened by its highest ranking visiting officer yet.  Wild Eagle uses the visiting brass in his gamesmanship for a better deal and (as he had in Iron Horse Go Home) overplays his hand.  This very welcome return to the show's roots was sharply directed by Robbie.  Special kudos to Cliff Arquette--the long awaited appearance of Fort Courage's namesake didn't disappoint.  Deservedly included in every "Best of" compilation so far.  (**** out of four)


F TROOP currently airs on Me-TV for a full hour each Saturday morning at 5 AM ET/4 AM CT and on Sunday mornings at 6 AM ET/5 AM CT.