Sunday, February 27, 2011

Film Review: BOEING BOEING (1965)

"Why the Hell isn't THIS on DVD yet?" -- Number 55

BOEING BOEING (1965 Paramount) Starring Tony Curtis, Jerry Lewis, Thelma Ritter, Dany Saval, Christiane Schmidtmer, Suzanna Leigh, Lomax Study.  Directed by John Rich.

American correspondent Tony Curtis lives in Paris with three different female flight attendants (and fiancees!): one French, one British, one German (and all blonde).  Each stewardess is completely unaware of the other two as they work different timetables for three different airlines and Curtis deftly arranges everything to a "T" (with the help of housekeeper Ritter) to keep it that way.  Curtis has it made in the shade with his harem ("Air France" Saval, "British United" Leigh and "Lufthansa" Schmidtimer) until a couple of curveballs upset the applecart. First professional acquaintance Jerry Lewis learns of the arrangement and blackmails Curtis into a temporary room.  Then plans are announced to put the new, faster BC-10 into service, which will result in faster flights---and shift changes for the mile high trio.

The Hollywood version of a French stage smash that flopped on Broadway, BOEING BOEING turned out to be a sexless sex comedy, less risque than your average episode of LOVE THAT BOB.  The potentially smutty setup turns out to be all talk and seperate bedrooms, a perfect illustration of why the Motion Picture Production Code was so creaky entering its fourth decade.  It's also a prime example of what second-wave feminism would be protesting within a year or two.  Objectification?  The three lead actresses have their measurements listed under their names in the opening credits and are naive enough (to put it charitably) to have nary a suspicion of Curtis' trigamy.

Changing standards aside, the fatal flaw with BOEING BOEING is an unexpected one: it’s impossible to buy matinee idol Curtis as a ladies’ man here.  The role of the scheming playboy would seem to be tailor made for the actor (DON’T MAKE WAVES, SWEET SMELL OF SUCCESS) but with the script requiring him to be constantly manic and anal, there’s little about him that’s either suave or romantic.  Any of these ladies wanting to marry him is simply too hard to swallow, much less all three.

Not to say that BOEING BOEING is a complete loss.  The atypically laconic Lewis essentially plays the straight man and does a nice job, as he often did when subdued (i.e. THE KING OF COMEDY).  He's bested by the consistently harried Ritter.  Granted she could play this role in her sleep by 1965, but the six-time Oscar nominee is still in fine form as she weathers the confusion, quits her job continuously, gets raises, and wearily goes back to weather the constant confusion again. 

Director John Rich (ALL IN THE FAMILY) does his best to eliminate staginess, but as both an adaptation of the play and an example of mid-sixties pseudo-smut BOEING BOEING is lacking.  You'll have better luck with GUIDE FOR THE MARRIED MAN or KISS ME STUPID if you're seeking the latter.

So...why isn't this on DVD?

One of those childhood favorites that sadly hasn't aged well for yours truly.  Promoted as the "In" comedy of "Nineteen Sexty-Sex", BOEING BOEING was already a dated artifact within a few years of its release....... 

Why it should be on DVD:

.....or was it?   The play was successfully revived for Broadway in 2008 with a touring production following, and the film has actually been remade in India in 1985 and 2005.  In the age of MAD MEN, maybe I'm off on this one. The next remake, slated for 2025 if past is prologue, might well be Hollywood's long overdue second stab at it.

Saturday, February 19, 2011

Film Review: PAPER LION (1968)

"Why the Hell isn't THIS on DVD yet?" -- Number 54

PAPER LION (1968 United Artists) Starring Alan Alda, Lauren Hutton, Joe Schmidt, David Doyle, Alex Karras, Karl Sweetan, Pat Studstill, Milt Plum, Roger Brown, John Gordy, Lem Barney, Frank Gifford, Vince Lombardi, Mike Lucci.  Directed by Alex March.  Written by Lawrence Roman (from the book by George Plimpton).

Alda is author George Plimpton, who owes SI publisher Doyle six more magazine articles to satisfy his current contract.  With prior literary efforts chronicling his attempts at professional boxing (a knockout at the hands of Sugar Ray Robinson) and baseball (pitching to a team of National League All-Stars, with no greater success) Alda decides to try his hand at the NFL, posing as a rookie quarterback trying to make the team. 

After getting several doors slammed in his face and a suggestion from Packers coach Vince Lombardi to "try the AFL", he finds a taker in the Detroit Lions.  Alda introduces himself as a Harvard alum and starter for the semi-pro Newfoundland Newfs, but the ruse lasts less than an hour:  It is quickly revealed he doesn't know how to put on his hip pads or take snaps from center.

Fully capturing the flavor of Plimpton’s classic book on film is probably impossible.  There's no painful roster cuts and even a generous (for the era) 107 minutes isn't enough time to retain the detailed portraits of lesser known players such as the late Lucien Reeberg.  Instead director Alex March keeps his focus on the opening rigors of camp, the camaraderie of the Lions in the ultimate team sport and the preparation (mental as well as physical) for not only a typical game, but an entire season.

In his first big screen lead, Alda is appealing, and oddly, at a lanky 6’2”, he looks more like a professional quarterback than many actors not playing the role for laughs (I.e. Mac Davis, Adam Sandler)---that is, before he drops back to pass.  Hutton would go on to probably the most successful acting career of any supermodel, but she’s just appealing eye candy here (her debut).  The 1967 Lions went on to a mediocre 5-7-2 record, but coach Joe Schmidt and rookie Lem Barney ended up in Canton, and Alex Karras certainly would have joined them by now if not for his gambling suspension in 1963.  Always a maverick off the field, Karras is the most natural of all the players in front of the camera, and acting would prove to be a perfect fit for him (BLAZING SADDLES, PORKY'S) in the years to come.

The book's climactic scrimmage was changed to a preseason game for the film’s finale, just one of many wise cinematic enhancements.  Another was March’s use of actual game footage from NFL films.  The humorous side of Alda’s quest remains on the front burner throughout.  There's no villain in this football film--not even Lucci, who looks the part.  As a result PAPER LION is both consistently amusing and educational.  It’s a time capsule look at a National Football League that was on the verge of drastic changeWithin a year, Joe Namath’s Super Bowl guarantee signaled that the AFL had gained equality with the NFL, not only making Lombardi’s dig at the junior league obsolete, but also marking the beginning of an era with more outspoken players and fewer autocratic coaches like the Packers' legend.

So...why isn't this on DVD yet?

It wasn't just the NFL that was facing drastic changes in 1968: MPAA standards were about to change films as well.  At the time PAPER LION was released, Hollywood wasn't quite ready for a football film with the frank language of THE LONGEST YARD or the pain-killing injections shown in NORTH DALLAS FORTY.  As a result, the film dated quickly and PAPER LION ended up having its thunder stolen by more graphic depictions of the sport.

Why it should be on DVD:

In spite of the above PAPER LION is still one of the funniest football films, and also offers probably the best cinematic look at the pre-merger NFL of the 1960's, when coaches still ruled with absolute authority, year-round conditioning was unheard of and the off-season job was still a way of life for players.

Alan Alda's first lead and the acting debut for Lauren Hutton.  Several Lions are more than credible playing themselves, including Karras, who would have a long and successful acting career after his playing days ended.  Karras' future broadcast partner Frank Gifford is also on hand (in a swingin' club!) to join Lombardi in discouraging the author.  If you don't blink early, you'll also see a young (and uncredited) Roy Scheider.

PAPER LION is currently available for streaming on Netflix Instant.